When I sat in eccentric old Mr. Batchelor’s Grade 9 English class, I dreamed of my own personal Fifty Shades of Grey scenario with about half of the girls in the classroom.
The short mini-skirts of the ’70’s era, revealing cream-coloured, porcelain-smooth teenage thigh skin were a “blurred lines” invitation to a 14 year-old male pubescent mind.
I was hormonally primed and more than ready to give up elementary schoolyard swings and slides and pounce onto a new sex-charged high school playground.
Yep, I was a squeaky-voiced early version of Christian Grey. My last name “Green”, akin to Grey, was an obvious prescient sensual sign of great things to come.
I was possessed of a totally literary kind of schoolboy perspective with high ideals and best of intentions … NOT!!
I’m pretty sure that not a single one of my imaginary classmates-harem gave this short, cherub-cheeked boy in the front left desk any thoughts close to what I was living in my preoccupied haze.
I was giftwrapped in my brain’s illusion, and there was no one that would take the wrapping off and make it real.
But … aside from my adolescent fantasy world, I enjoyed the class for some of the academic reasons too.
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As a decent student, I relished reading stories and literature that drew me in and took me to worlds of which I knew nothing.
But, to take just one example, reading Shakespeare left me in a a muddled whirlwind of incomprehension and confusion. Good God, what did any of his Renaissance-era Olde English words mean?
I loved it when we travelled on field trips to Stratford (Ontario, Canada … not that OTHER Stratford) to watch the plays acted live, because mercifully, I could eke out an understanding of the story. Live theatre was a pretty reasonable substitute for Coles Notes.
The actions showed me what the words never had.
Plus there was lots of drama, fights, sword-play, and naughty 50 Shades-style bawdy skirmishing.
It was great fun watching the serious-minded Shakespearean actors jettison streams of airborne saliva all over each other in their emphatic acting roles. Strange how live acting never appealed to me as a life choice after seeing one of those plays.
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Fortunately, I wasn’t a total literary loss — there was one author that we young learners read at various times throughout high school that was understandable for me.
He told empathetic stories with struggling, heartfelt characters like justice-seeking Tom Joad and dim-witted Lennie Small.
He created a world of real life drama that took possession over me, carrying me into a time warp that dramatized my parents’ and grandparents’ era…the Great Depression of the 1930’s.
Who was this wonder author that penetrated the hormonally-charged mind of a teenage boy?
John Steinbeck
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The Grapes of Wrath. Of Mice and Men. East of Eden. Cannery Row.
I’ve told you in earlier blog posts that I’m not a great fan of Hemingway’s sparse writing.
On the other hand, I loved Steinbeck. I loved Steinbeck then, the way you might love Stephen King or Suzanne Collins or J.K. Rowling today.
By his words, you could taste the bone-dry prairie dust in your mouth. You could feel your heart breaking and tears rising when Lennie panics and accidentally snaps the neck of the boss farmer’s beautiful wife — Oh Lennie, why did you have to go and do that?
But I read his stories with different eyes in a different era from today. Society was a different place then, just as it is in every generation and time.
We look at the past world and see the words and actions of others as if they were occurring today. We judge Christopher Columbus by who we are now, not who he was in 1492.
Steinbeck chronicled an era, not unlike TV’s Mad Men, where women sat stoically in the background and waited for decisions to be made on their behalf.
Like obedient cattle, women were chattel, or sometimes Lady Chatterley, but never an equal co-driver or co-decision maker.
In those high school days, few of us ever saw his characters as being sexist or misogynistic.
Women were just people. 2nd Class people maybe, but it was what it was.
Chapter 1 of The Grapes of Wrath had this telling scene of prairie folk fearfully surveying their destroyed livelihoods:
Men stood by their fences and looked at the ruined corn, drying fast now, only a little green showing through the film of dust. The men were silent and they did not move often.
And the women came out of the houses to stand beside their men—to feel whether this time the men would break. The women studied the men’s faces secretly, for the corn could go, as long as something else remained.
The children stood near by, drawing figures in the dust with bare toes, and the children sent exploring senses out to see whether men and women would break. The children peeked at the faces of the men and women, and then drew careful lines in the dust with their toes.
Horses came to the watering troughs and nuzzled the water to clear the surface dust.
After a while the faces of the watching men lost their bemused perplexity and became hard and angry and resistant. Then the women knew that they were safe and that there was no break.
Then they asked, What’ll we do? And the men replied, I don’t know. But it was all right. The women knew it was all right, and the watching children knew it was all right.
Women and children knew deep in themselves that no misfortune was too great to bear if their men were whole.”
It’s a beautifully written passage of anguish and despair, finishing off with insight and hope.
But was this some kind of innocent early non-sexualized precursor to 50 Shades where women were meek and submissive – a place where the dominant male asserted his rightful supremacy?
Could you write a book today with lines like this?
Maybe, but I think that Steinbeck would more likely have this cheerless man and woman standing side-by-side, pondering the difficult choices to be made … together … equals. The man would want to know that she wouldn’t break as much as she wouldn’t want him to falter.
I still admire and enjoy Steinbeck’s stories, but I interpret and absorb the words differently.
The grey matter in this Green man’s head has been altered and shifted by time and experience. When I read a book (or view a movie) now that I took in as a younger person, I see it from the who and the where that I am now.
In a blog post I wrote about a year and a half ago, I told of my shock and dismay that 5o Shades of Grey had become such a popular phenomenon among women of all ages. It didn’t make sense to me that women would embrace a character like Anastasia Steele who would allow herself to be victimized and dominated so willfully.
It surprises the hell out of me that a society that clamours for gender equality, also enigmatically and breathlessly clamours for stories of female victimhood and inequality.
Who knows, perhaps in 20 years I’ll re-read 50 Shades and the words and scenes will look different to my older eyes just as Steinbeck’s stories and characters have changed for me over time.
NAH …
I’ll still yell at Anastasia not to sign that Dominant/Submissive contract with Christian Grey, and turn and run in the opposite direction.